180gr , reissue, black vinyl , gatefold sleeve inkl. downloadkarte und 6 art-prints

50th anniversary edition double vinyl in gatefold sleeve. highlights from the elvis back in nashville 4cd set, featuring the historic 1971 session.

deluxe gatefold tip on schwarze heavyweight-lp im gatefold sleeve (versiegelte fronttasche) inklusive einlegern, bedruckter innenhuelle und downloadkarte. mastered fully analogue.

super limited tape from a crew of lowkey producers from the north!

ltd blue vinyl repress - following on from his stellar record store day 2017 double-pack, dimitri is back with another clutch of indispensable disco edits from his impressive archive for the legendary salsoul label. any self-respecting dj or disco-lover will be brimming over with excitement upon looking at this impressive selection of tracks, all respectfully and lovingly tweaked by disco-dim. salsoul orchestra s ooh i love it (love break) kicks things off, a true blue classic, just gently touched in all the right places and extended in the best possible way. following up is skyy s total anthem first time around , a classic garage groove and dimitri s version is near perfect, again, re-touched by someone who truly understands what disco all about! essential stuff. on the flipside the jammers - be mine tonight , is another massive garage smasher, here dimitri almost edges shep pettibone s og mix into the boogie stratosphere, just incredible! it makes perfect sense that this amazing double-pack should finish on one of dimitri s most sought after edits - love committee s just as long as i got you , an epic slab of soulful, almost dark, disco. absolutely huge

big tune alert - repress 2021! back in 1996 robert hood presented his floorplan project to the world through m-plant sub-label drama. the only time he really touched up a disco record and what a way to do it! raw and minimal… this has to be one of the funkiest records to have emerged from detroit in the last 15 years. and its unmistakenly robert hood! limited when it came out and deleted ever since

oldskool touched ep, official reissue

part 4 of conform’s re-touched series - tracks from gaetano parisio remixed by radio slave, mark broom, honey dijon and adriana lopez.

a career-spanning collection of 26 shakin stevens tracks on double vinyl.

repress !! students red axes are very excited to present the first part of their new project called: trips, a multi media venture combining music, film and travelling across the globe in pursuit of extra ordinary collaborations. niv arzi and dori sadovnik are seeking to discover new grounds and sounds, and to record local musicians, indigenous instruments and present workshops for youth music schools. in march of 2017, the israeli duo touched down in africa for the first time, and set up camp in both ethiopia and ivory coast, yielding in africa, a triple header ep which features three slices of contemporary body music, with both east and west african musical motifs. the project will always present a musical release, on vinyl and digital, that was created on the trip, accompanied with a documentary, showing the whole journey.

conform’s re-touched series continues - tracks from gaetano parisio remixed by oscar mulero, ken ishii, steve bicknell and deetron.

gaetano parisio brings back conform with the re-touched series, featuring state-of-the-art edits of classic tracks.

sean ts 1993 debut album back as limited edition of 250 copies on double vinyl.

a compilation of hopelessly obscure jazz, soul and folk from between 1969 and 1981. the double vinyl release includes a download code.

deepdownsizedbigroomtechnotools by mørbeck with a detroit-peaktime touched remix by label head templeton.

the uncrowned king of nordic touched speedy house cj scott is back for his 3rd release on art alfies velvet pony label. the ep contains three dance floor focused tracks thats been road tested thoroughly by art alfie himself over the past year with the conclusion never have so many super star djs been brought out from the greenroom for a track id

a four-track acid ep by veteran producer warlock, out on kalbata s brush & broom label. ex-amount of jaw-grind action from the london underground legend. violent rays and swearings are both straight-up warehouse workouts, comfortably placed next to reflective after-hour gushers run dc and cave tone. once again, warlock demonstrates stunning crisp production, touched by old-school heritage, dating back to pre-94 legislation times. essential.

14 gospel songs from elvis presley, reimagined with new instrumentation and vocal arrangements. the vinyl lp includes a download code.

incl. moomin remix !! if 2018s wolfep046 touched on the burgeoning talent of rising portuguese star pedro, this 2019 follow-up delves deep into the accomplished head that rests on those youthful shoulders.

1982 remaster

wie der name schon vermuten lässt, fliegt das frankfurter elektro duo mit schallgeschwindigkeit durch raum und zeit.

blondie’s 1978 album back on 180 gram vinyl with download code included.

stroing detroit touched techno tracks combined with great electro

waging the war against disposable plastics, by providing you with something to treasure, we present np005, epic like heston. hailing from the edges of the site of the bloodiest battle on british soil, this marathon machine jam continues our series of yorkshire based artisinal electronics, touched with the exemplary finishing skills of dr marco antonio spaventi. we ve returned to the ultra lightweight sleeving format which saves you, the customer, room in your bag. screen printed in the searing temperatures of summertime york, all printing uses the tried and tested kitchen table printing technology and guaranteed, lounge-floor drying system. as you should be aware by now, this means the ink is thoroughly dry before shipping, so that transport weight can be kept to a minimum and savings passed on to you. one track, single sided 12inch vinyl

inner sunset recordings s homero g. is at it again with another deep house 4-track e.p., only this time serving up an emotionally unique and introspective angle never before heard on the isr imprint. this landmark 10th pressing from isr (entitled the -companionship & solitude e.p.-, cat no.: isr1210), takes listeners on a gentler journey into the realm of house music via soft pads, sentimental keyboard progressions, atmospheric organs, wispy flutes, and delicate vocal and oceanic samples. track a1 s -touch me (mess of emotions mix)- passionately, and intensely ushers listeners upwards towards a flourishing climax and back, via classic house piano chords and organs. while in contrast, track a2 s -touch me (low top dub)- applies all the themes and elements of a1, but in a steady and unwavering manner, to create an evenly sustained sense of well-being throughout. track b1 s -a companion s stroll- exudes happiness with its catchy flute riff, organs, and percussion, while b2 s -polyedrum tide s lament- uses the sounds of swelling ocean shores to entrancingly lull listeners into a hypnotic state of bliss and clam. packed full of emotion, ambiance and aura, this record is a truly unique addition isr s catalog and is not to miss!

an astronomical conjunction has cropped up. arpanet is back after a long interstellar hibernation and 30drop comes up with its particular vision of the abstract elektro for the very first time. “phases ep” takes the primal warp’s heritage blending hypnotic melodies with rhythmically complex patterns. arpanet, which keeps the exquisiteness of its previous works for rephlex, among other labels, gazes into the black profoundness of its own and unique universe. 30drop’s two cuts, ostensibly touched by the aphex twin spirit, are a spellbinding exercise of style. “phases ep” is experimental, atmospheric, rhythmic and, above all, flawless. this enthralling ep is presented in electric blue vinyl. a special shape for a very special alliance.

kingswood drive and accidental return were an early teaser of this new set. displaying their signature analogue sounds and arpeggios, alongside broken beats and soul, you wouldn t be alone in hearing the influences of dam funk, herbie hancock or bugz in the attic coming through on these two. elsewhere more jittery, playful rhythms underpin croydon rooftop café culture. as well as in the calming and ethereal prints on the heath, a subtle tribute to mutual hero prince, who passed away on the unusually prolific day this and two other, currently unreleased, tracks were written and recorded. throughout the ep the duo nod at their london home from the -heath- to kingswood drive and more obviously croydon itself. the sound of south london is threaded throughout this record with pride. even down to the mechanical sunset sound of ep finale thorns, capturing some of the essence of the studio view over london from their high point on the hill in thornton heath. the first ep from albert s favourites co-founders and synth-production duo modified man focused on throwing out heavy editing, recording music with as few processes as possible and grabbing performances as single takes. blending warped cassette recordings that touched upon early jazz-funk/brit-funk influences with the energy of broken beat and experimental electronica, won them support from patrick forge, osunlade, thris tian, yam who? and titeknots to name a few. since that release they premiered new track thorns live on boiler room, going on to deliver a full, three-hour live performance and dj set for the infamous global community. they also provided remixes for dele sosimi, amp fiddler, makadem & behr and hector plimmer, meanwhile, busily preparing a series of four, six-track vinyl eps which will be released over the next 18 months.

fascinating compilation review on tel avivs new music scene! (remixed israeli-yemenite disco number from the seventies, a bundle of colourful andpsychedelic beats, a gentle and wellpolished pop tune, a song so frank it hurts that develops into a percussive devils dance,and three tracks touched by poetry: a modern-electronic rendition to the groundbreaking iconic tel-aviv)

edmondson first came to my attention with his lobster theramin distributed release, flamingo tripper, on his own label lissoms. or so i thought. turns out he was actually a guy who used to serve me in one of my favourite pubs in newcastle. back in those days he was a dub step / drum and bass kid, and as per the trend with all of those guys, hes now showing the house heads how its done, with a much keener feel for sound design, groove and a better ear for a sample than 90% of us lazy people who cut our teeth on a 4/4 beat. edmondson (or sean as i did know him and how i know him once again) is really one of the most exciting producers out there right now for me, and i couldnt be happier that weve reconnected and hes kindly allowed me me me to present some of his amazing music. we have love is an instant classic, and psg is a work of pure emotive art. to remix we have love, ive enlisted dauwd (fresh from his amazing album on technicolour). sean suggested him, and i jumped on the suggestion as he was one of the first people i met when i moved to berlin 4 years ago, and ive been trying to figure out a way of working with him since. he takes a we have love down a kind of more delicate and steppy route. its very pretty, but also really makes you want to dance. to remix psg i asked asok. again, i thought i first met asok about 7 or 8 years ago, when he came and played for a party i used to throw in newcastle. after becoming good friends over the years, we got chatting and it turned out that we were both in magaluf in 1998, and may have actually been involved in the same street brawl. thats not something either of us are proud of, but its definitely food for thought. i’m biased, but i think his remix is my favourite thing he’s ever done, and i love everything he’s touched musically to date, so thats probably an even bigger endorsement than it first seems. his version is big.

4 years can feel like a really long time – -long time no see- was achim maerz frst wake up! ep back in 2013, -it s been a while- is his frst track on metal and machines and it s good to see that some things don t change. it s a true achim maerz track – focused on longing melodies, warmly distorted harmonies based on deep house foundations. -listening to machines- features a kickdrum like a steam hammer in factory hall. for the right mind, even a factory can be an inspiring place. benjamin brunn s -iron copper gold- follows his manner of creating timeless and eternal soundscapes. it is less playful and takes the tension to higher grounds. just like metal, it s cold being touched and it doesn t take long until it reaches body temperature. the fourth track express mode- was released on benjamin brunns drop lp in 2015. achim maerz remix sounds like a screwed-down uptempo house track – slow and heavy, but benjamin brunn s quirkiness is undeniably there.

double vinyl release, including download code and 12x12 inch foto book.
for the past two years, nils frahm has been building a brand new studio in berlin to make his 7th studio album titled all melody, which will be released on january 26th, 2018 via erased tapes, before nils embarks on his first world tour since 2015.
since the day nils first encountered the impressive studio of a family friend, he had envisioned to create one of his own at such a large scale. fast forward to the present day and nils is now the proud host of saal 3, part of the historical 1950s east german funkhaus building beside the river spree. it is here where he has spent most of his time deconstructing and reconstructing the entire space from the cabling and electricity to the woodwork, before moving on to the finer elements, building a pipe organ and creating a mixing desk all from scratch with the help of his friends. this is somewhere music can be nurtured and not neglected, and where he can somewhat fulfil his pursuit of presenting music to the world as close to his imagination as possible.

one of chicago’s finest production and dj talents, and a close stateside lobster family member - garrett david - returns for a studio-focused foray into chicago’s sonic house music history.

ok. this is an anthem. you know “dance” already, right? huge pal joey jam from way back in 1990? the one that flips carl bean’s “i was born this way” into the stratosphere? yeah, that’s it! except this is that track reimagined by 2 killer producers, flipped and edited into the cosmos by the new jersey legend kerri chandler and the west coast’s onionz, probably the only producers who could touch such a stone cold classic and actually bring something to the table! originally out in 2002 these 2 edits / mixes are total weapons, you need this 12” in your bag. everything is touched, tweaked and blended in just the right way and full respect is given to the mixes. this isn’t no fly by night re-edit thing, this is heavyweights bringing us some heat and their interpretation of a track that was obviously a huge deal for them on a personal level. do not snooze on this, masterfully repressed, with the full consent of everyone involved and remastered on a solid 12” for you all.

limited series 06 drops on banoffee pies records. this time with some saucy pink legs showcasing a predominantly bristol based representative of leftfield house and uk inspired productions from jazz to electro and 2 step.
gallegos’ “save your love for me” quickly engages your focus with melody rich tones and enticing vocals pushing on to an interestingly themed a side with the electro infused “hanging gardens” from local seka, and the complex drum patterns of 2 step themed “dreams” from jay anderson, another artist to recently join the labels affiliates with an appearance on the second banoffee pies black label imprint.
the b side is pleasantly introduced by a more head nodding groove full of pads from owain k with “touched “, and as with many of it’s predecessors, this limited series installation is rounded off with a beat and a mood from a smoky lounge this time from embezzlement society. another record with diverse uses for the dj and listener. music for prancing, love and dancing. banoffee x

by now, the world is familiar with the extensive works of monsieur dimitri from paris. his prowess as a globetrotting dj and taste-maker for over 20+ years, his reputation for the finer things in life, his sartorial style and of course most importantly his infamous remixes and disco edits. isn’t it odd that until now, there hasn’t been an official home for the man’s stellar reworks? it just doesn’t make any sense. this is exactly the reason that he has decided to set up this brand new venture - le edits records. naturally, a high standard of quality is present with all le edits releases across the board - from sourcing 100% virgin vinyl used for pressing to the mastering through tape, to the beautifully crafted and designed tip-on sleeves that were popular with record companies in the 1960’s and 1970’s, to the wonderfully imagined graphic design that adorns said sleeves - dimitri has overseen every aspect of this, his first label.
what about the music? we hear you ask? well, simply put, only the finest disco reworks are to be released on le edits. fans will be treated to dim’s special versions of classics and rarer than rare tracks, all lovingly re-touched and mixed from the reels and master tapes each time, fully sanctioned and created in conjunction with the artists, rights holders and above board distribution. 100% official and 100% essential.

eric maltz is a producer from new york city and now resides in berlin, germany. he is a former employee of halcyon records from its og glory days in it s first location in red hook/carrol gardens areas of brooklyn. -eric provided a sofa to me often through-ought my 20 s and vice-versa, we both cared about music above all else- we lived and breathed music- and we helped each other survive when we were penniless - if one was up, so was the other... eric and i were roommates, friends, we looked out for each other in a rough city with tough rules. every time one of us got a job at a restaurant or record shop, within weeks we would have the other working there too. we did that for a decade. we slang records for years at halcyon- a shop on smith street which had a portrait of stevie wonder painted on the front facade- and we threw parties all around brooklyn back then too.. every shitty bar that would have us lol. we were a dope team. he s the only person who has ever touched the third rail on a subway and survived too! true story. so you know i couldn t wait to release his debut lp. proud of this guy- - levon vincent

legendary philadelphia group first choice are undoubtedly disco legends. over the decades they have blessed turntables and eardrums with a slew of classic club records, look at any list of dj s choices or benchmark dance records and you ll see - doctor love , love & happiness , armed & extremely dangerous , double cross , love thang and many, many more! now, that s impressive. a truly legendary group, first choice came from humble beginnings during their student years in their native philly. off the back of some promising local appearances and some radio play they ended up working under the watchful eye of impresario norman harris who was managing soul legends the delfonics. the rest, as they say, is disco history! featured on this incredible compilation is some of first choice s classic mixes and cuts, touched by the old school masters, mixed by the heroes of disco - tee scott, shep pettibone, larry levan, tom moulton etc. truly an essential collection featuring all the classics listed above, and more, in their full 12- mix glory, untouched, respectfully remastered and compiled here with love and care. a truly essential package for the die-hard disco aficionado or for those who are exploring this most important movement in dance music for the first time. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco.

following on from his stellar record store day 2017 double-pack, dimitri is back with another clutch of indispensable disco edits from his impressive archive for the legendary salsoul label. any self-respecting dj or disco-lover will be brimming over with excitement upon looking at this impressive selection of tracks, all respectfully and lovingly tweaked by disco-dim. salsoul orchestra s ooh i love it (love break) kicks things off, a true blue classic, just gently touched in all the right places and extended in the best possible way. following up is skyy s total anthem first time around , a classic garage groove and dimitri s version is near perfect, again, re-touched by someone who truly understands what disco all about! essential stuff. on the flipside the jammers - be mine tonight , is another massive garage smasher, here dimitri almost edges shep pettibone s og mix into the boogie stratosphere, just incredible! it makes perfect sense that this amazing double-pack should finish on one of dimitri s most sought after edits - love committee s just as long as i got you , an epic slab of soulful, almost dark, disco. absolutely huge

welcome -into laniakea-. we are proud to present our first release: -160 mega parsec- as a various artists. different artists to represent the variety of universes we have in our supercluster. with artist on board such as passenger, caseer and voiture, transonic flow and diffuse arc, this is a versatile record. the a1 starts the journey with passenger, the italian artist gives us a spacey and slow electronic track with a moody bassline, perfect to introduce the label style. the a2 is more a bouncy housy acidish track with a weird vocal coming from the french and dutch duo. it drives from the start to the end with groovy bass and low kick perfect to kill a dancefloor. on the other side, you have a dreamy electro track from transonic flow, german duo from hamburg composed of koloman trax and hitekjaz. the b1 is a pure gem with its melodic yet rhythmic lead. they told us it has been club validated! the last track is from no one else than diffuse arc, who searched his tapes and hard drives to send us some unreleased and hidden tracks. the result is a deep and groovy ballad with acid bassline that will suit every music lovers. you got it, -into lanieakea- is all about groove and spacy dreamy tracks. we trully hope you will get touched by the vibe and the love we put into this record.

producer and dj from cantabria pablo bolívar signs the new release in his very own seven villas, in which he takes the chance to interpret --remixwise-- the tracks on the album traverse -by sensual physics which was originally released in 7v in 2016.

we are facing a very special project for pablo bolívar this time. his admiration for the veteran german producer joerg schuster -one of pablo s musical heroes- gets highly reflected in each one of the eight revisions which form this traverse (reprise) . what pablo exactly does is to respect the original escapist, dubby and ambient spirit of the original trip proposed by traverse , by means of adding a soft, deep and sophisticated club aura. he turn that the album sensual physics takes into the most characteristic bolívar style is tasteful and subtle, therefore it seems a sequel of the original one. no crashes, no harshness. here everything flows simply in a natural way, especially that ambient-deep and tech fog which just adds a punch in any case. tunes as mondragon , málaga or miracle -among others- acquire a new dimension when touched by pablo bolívar s hands: always looking to their origin with respect to the original producer and the delicacy of a revised piece of work.

mojuba is very proud to present the next release of the collaboration project with the one and only chez damier. the second release features a new mix of the epic downtempo >why< and turns it into a mesmerizing journey to the deephouse realm. on the flipside you will find an unreleased carl craig remix of the legendary >help myself< track from kms. the ep finishes with a brand new chez track in best prescription manner that burned down dancefloors already during his latest dj-sets while testing it on the crowd! prepare to be touched! 2017 repress - fresh design

celebrated & mysterious portuguese sonic weapons outlet outerzona13 return with three more deadly jams. continuing the theme of pursuing a varied menu of delights no.7 is a another v/a selection. a re-touched staple kicks things off, swiftly followed by some delightfully decadent late 80s buried chicago treasure while the b side carries an irresistible slab of minneapolis funk another outerzona hit!

hiding slightly out of plain sight, australian producer mood j has been secretly crafting lush house jams for the last half decade bubbling just under the visible surface.
with the artist and asquith having briefly touched base at the beginning of the label’s journey, it took only a chance encounter in a ballarat bungalow in 2016 to reignite the flames of the artist-label relationship. jimmy surprisingly bumping into jon (mood j), as he was daze’s housemate in aus, whilst the lobster crew were on tour there.
mood j’s hard drive was stashed with archive of warm, sizzling, analogue studio tracks cooked to the nines, and so here we are just over 14 months later with the full epic debut in hand.

santiago leyba makes his vinyl debut on the label following the rooms tape released earlier this year. recorded simultaneously, life, money, work shows the new york-based artist by way of albuquerque, new mexico, portraying the different characters one might have in a broken mind. sketching a strong criticism of america by means of disorienting vocals and slow-paced d.i.y. electronics, santiago finds him performing alter-egos of sorts — ranging from forlorn ballad singing, to more guttural and strained barking seeking to describe a conflict in maintaining a unified persona. paid labor, sex, and consumer goods. how america tells you to grow up when there is nothing left but complacency and oppression through economic and social means. it all goes down to the shortcomings of humanity, the tangled webs we weave, the impossibility of justice and fairness, and the pressure those things put upon ourselves.

dmx krew and his arsenal of machines has touched on acid, electro, boogie, synth pop, techno, idm, italo disco and house of many different shades over the years. now he is blessing us with some of hottest cosmic funk we have ever heard at modern magic. an ep of four seriously funky electro groovers that is the perfect complement to our first ep from duke slammer.

thrice is nice for dimitri the brooklynite-by-way-of-paris, who comes correct with his 3rd 3-packer of disco edit deelite for rnt! filling up the a-side is kettle america, a cheeky bit of south-of-the border uptempo disco funk. i knead you is a stomping and sermonizing version of a cherished classic, completely redone with a chorus of handclaps and gospel piano, and the record finishes with without rob for some re-touched dancefloor doo-wop gold!

nice price deal !!! dirty south aka dragan roganovic has risen from obscurity to become one of the biggest names in the scene in just three short years, consistently serving up devastating dancefloor bombs to an insatiable whos who of international djs, producers, media and music lovers. now hes touched down in the toolroom camp, and is shaking us to the core with the tong favourite >minority<. big, brash and dark, it pumps and cracks with intense sleazy techiness that pulsates into your brain and takes no prisoners. our single remix comes from the man himself, amping up the tough metallic beats and hurling the cut towards one hell of a breakdown

known for their take on the gentler side of house music, jazz pianists, electronic enthusiasts and label founders of the analogue attic imprint, albrecht labrooy have joined night tides family with their latest sojourn emissary ep. the release began with a concept from the artists, who asked for field recordings taken by night tides eluize from around her adopted home in berlin. sounds from parks, gardens, trains and stations that make up the local, everyday sonic landscape made their way across the atlantic to arrive in albrecht labrooys studio, where they were used as inspiration for the three outings on this record. the melbourne duo’s live approach to programming and arrangement can be heard as the tracks ebb and flow effortlessly. in tempelhof sub swells and a throbbing kick accompany delicate leads and lightly touched drums. the more uptempo hinterhof pulses and sways with lively percussion, crystalline bells, euphoric strings and softly spoken melodies that float in and out of view. u-bahn/s-bahn begins with glistening top lines and panoramic chords over a growling bass and a steady groove. as the journey rolls on from the underground into open-air window-gazing territory, the piece takes an ambient, beatless turn. contemplative synth lines and arpeggios play while the station announcements drift somewhere in the distance. photograph by christophe mauberqué.

tuamie returns to street corner music with holy ghost spirituals, the third release in scm’s gospel flip series. following jake one and ras_g’s collections, tuamie chops and flips his sanctified selections into raw beats. a no brainer for a tuamie fans, this will not be around long.